![]() In reality, the process of "shading" is the process of developing a full range of value. It suggests that we are only addressing the dark values, or shades. However, the term "shading" is somewhat confusing. Now that we have a basic understanding of the locations of value and how dark or light they should be, we can begin the process of shading. ![]() The values developed here should be slightly lighter than the values found on the left plane of the nose. In this case, the bridge of the nose is receiving the strongest light. They also usually produce a shadow underneath. As a general rule, most objects that protrude receive more light and are usually lighter in tone. The bridge of the nose protrudes outward. There is, however, a slight highlight in areas here. Since our light source is also coming from above, you'll notice that the planes underneath the nose are also darker. Darker values are found on the opposite plane on the right side of the nose. This means that the plane that faces the light source will be lighter. This produces lighter values on the left side of the nose, closer to the light source. In this example, the light source originates from the upper left corner. We can use these planes to determine the locations of value. Understanding the planes of the nose helps us to draw the basic structure and position the "perceived lines", but the planes also perform another important task. We can also use the bottom planes to position the shapes of the nostrils. Using the outer boundaries of the planes, we can mark the outer edges of the nostrils. We can use the planes of the nose to position the perceived lines that we see. In reality, the value changes gradually, instead of creating a defined line. This is simply because we notice strong contrast in value in these locations. For a nose, these areas include the shapes of the nostrils and the outer edges of the nostrils. Our mind simplifies changes in value or contrast into "perceived lines". So it's only natural to look for lines when we draw any object.Ī nose, however, doesn't feature strongly defined lines. ![]() We use lines to define the boundaries of objects and to add details. When most of us learn to draw, we start by drawing lines. This way, you can focus on the form before drawing any of the lines for the nostrils or adding tone. In the beginning stages of the drawing, you may find it helpful to draw these planes first. There are three planes designated for the top, three for the middle, and three underneath. ![]() As the form changes direction in space, it creates a new plane. In the image below, you'll see an example of a nose from a frontal view, simplified into basic planes. It is the shading, or value range, that ultimately leads to the illusion of a 3-Dimensional form. Recognizing the planes not only helps us to draw the form, but it also helps us to understand where we should add shading. Remove the curvature of the nose from your mind and simplify the form into rigid flat planes. You may think of a chiseled form to better understand the planes. Understanding the Planes of the NoseĪ nose can be simplified into basic planes. This way, we can better understand the structure and what we should look for and include in our drawing.īefore drawing any lines, we'll first examine the form of the nose and how we can simplify it into a system of planes. It makes sense to look at drawing the nose from a frontal view first. We'll explore several different options for drawing a nose in this lesson and look at a number of examples. Try to pinpoint the locations on the nose where these values are located and notice the subtle changes that happen in the highlights (light values), midtones (middle values), and the shadows (dark values). Your drawing must include the darkest shades and the lightest tints and the grays in between. Keep in mind that no two noses will be the same. Observation is really the biggest secret when it comes to drawing. Make sure that you include a full range of value when you draw a nose.ĭrawing lines will help to establish the shape of the nose, but it's the values that will lead to the illusion of form that you probably want in you drawing. The values are what gives us the impression and illusion of the form. Drawing noses realistically involves studying the values. You must closely observe your subject when you draw anything. ![]()
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